I wish the pic was a little bigger. I love the retro feel of the robot and the car. The fuzzy/blurryness makes it remind me of a children's book cover.
-- [link] "First, you gotta learn your instrument. Then you gotta practice, practice, practice. And when you finally get up there on the bandstand, forget all that and just wail." -Charlie Parker
beautiful piece, my favorite in your gallery! i love these slightly retro-ish colors and the whole composition. the car is so cool and i love the lighting, it's kind of hazy. impressive that you did it with acrylic too, i have a hard time with non-digital mediums... seems you've mastered both.
Thank you, yes I can explain this one. (It's different than my usual process, but one which I think I'll be using more in the future.)
- I started sketching quite small, basically a black and white silhouette thumbnail. If something that tiny is clear and recognizable, then it will work when it's finished.
- I toned the whole thing a slightly-green mid-grey.
- I did the painting in greyscale first (using acrylics, just mixing white and ivory black). This was a lot easier and faster than a usual painting. In terms of blending, I sometimes blend quickly during the short time when thick acrylic is still wet, but more often I drybrush to create an illusion of blending. For drybrushing, I think it helps that my surface has a crazy mountainous gessoed texture.
- Once it was a finished greyscale painting, I glazed watered-down colors over their respective areas. Really, the only places I layered glazes were the buildings (brick) and the robot's eye. I probably slopped around some really really watered-down browns all over the place too, and the occassional light green. The best thing about this glazing process is that, if you put a glaze down and don't like it, it's easy to wipe away because it's so watery, yet you've still got the architecture of the painting underneath.
Devious Comments
I wish the pic was a little bigger. I love the retro feel of the robot and the car. The fuzzy/blurryness makes it remind me of a children's book cover.
--
[link]
"First, you gotta learn your instrument. Then you gotta practice, practice, practice. And when you finally get up there on the bandstand, forget all that and just wail."
-Charlie Parker
- I started sketching quite small, basically a black and white silhouette thumbnail. If something that tiny is clear and recognizable, then it will work when it's finished.
- I toned the whole thing a slightly-green mid-grey.
- I did the painting in greyscale first (using acrylics, just mixing white and ivory black). This was a lot easier and faster than a usual painting. In terms of blending, I sometimes blend quickly during the short time when thick acrylic is still wet, but more often I drybrush to create an illusion of blending. For drybrushing, I think it helps that my surface has a crazy mountainous gessoed texture.
- Once it was a finished greyscale painting, I glazed watered-down colors over their respective areas. Really, the only places I layered glazes were the buildings (brick) and the robot's eye. I probably slopped around some really really watered-down browns all over the place too, and the occassional light green. The best thing about this glazing process is that, if you put a glaze down and don't like it, it's easy to wipe away because it's so watery, yet you've still got the architecture of the painting underneath.
Love the composition.
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join the ~Iron-Man-Club plz! it's full of awesome and needs members and art!
--
BOOT TO THE HEAD!
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